We Visit Daniel Boddam Studio’s Backcountry Home Design
Hinterland House explores notions of nature, sustainability and a back to basics approach
Daniel Boddam Studio’s Hinterland House explores nature, materials, and ideas of sustainability and isolation
A respect for nature, research into expressions of sustainable architecture, concepts of community and seclusion, and a love for natural materials, all play a role in this new residential design from Australian architecture firm Daniel Boddam Studio. The young firm – an entry in the 2021 Wallpaper* Architects directory – composed Hinterland House almost as a response to the pandemic, inspired by the notion of “returning to fundamental rituals”.
“The enforced solitude and silence of the pandemic offered a reset that inspired people to revisit the basics of life,” says studio founder Daniel Boddam. “In Australia, there has been a shift from cities to regional areas, which give us space, nature and a slower pace of life.” The result of this exploration for Boddam is a low, geometric, monolithic house design integrated into the Australian landscape of remote Byron Bay.
Image credit: Avo Studios
Designed as an idyllic, sustainable retreat – an escape from the hustle and bustle of city life – Hinterland House is made up of two locally quarried earthen structures. Daniel Boddam Studio is responsible for designing the products, interiors and architecture of the house, making it a truly holistic concept. The russet tones of the material and the warm wood used for the structure of the ceiling create a warm and tactile environment.
At the same time, the design takes inspiration from its context and aims to be a soft expression and presence in its surroundings. ? The architecture reads as part of an agrarian vernacular, ? said Boddam, ? a play on the storage shed that celebrates simplicity of function, with a refined sensibility. Wide openings towards the surrounding nature underline this connection between interior and exterior.
The diamond patterns of the structure are also found in the furniture collection. “I wanted to offer an antidote to eclecticism”, explains the architect. “We approached furniture as a series of collectibles to be grown over time, pieces that sit comfortably and can be easily interchanged with other items in our collection.” §