Visit designer Anthony Baratta’s apartment in Manhattan

Given a great voice and a brilliant song, you can belt out the back of the house. So, in a nutshell, it’s Anthony BarataThe decorating approach of: Start with perfectly coordinated colors and materials, then go all out. under control, always in the same tone.” The result, he says, “has a lightness. What do I expect from a space? To enjoy.

Anthony Barata employs trims and stripes “like the outlines in a coloring book,” he says. The back panel of the seat is lifted from the fabric of the sofa’s indigo urn and echoes the shape of the client’s plates and trays mounted in the kitchen beyond. Plaster sconces (Paul Ferrante) and crystal candelabras frame the fireplace and add to the whimsy of the room.
Marc Roskams

Her clients at the Apthorp, the historic Italian Renaissance apartment building in Manhattan, were more than open to Baratta’s virtuosity, as was their newly acquired space. With its oversized rooms and “strange, hybrid French-style architecture,” notes the designer, it presented a fairly theatrical base for recent Florida transplants, who bought it to maintain a foothold in the city. they could watch Broadway shows. “We used a furniture ladder intended for a space like this,” Baratta explains. “The sofas are big, the chairs are high. Curtains make windows look even grander.

a beaming desk is dressed in a lee jofa tartan pattern recolored especially for this room and the armchair upholstery is inspired by an antique american weave and the leather chair is antique english

And it also played well with the owners’ favorite decorating theme: historic Americana with an emphasis on textiles and folk art. “In American decorating, there are no real rules,” he says. Colors and patterns can also be “big”. Along with delightful florals and glamorous geometry, references to colonial design traditions abound, from a quilted slipper chair in the master bedroom to a woodgrain bookcase chair. As for the stripes, they assert themselves not only in the dramatic wallpapers of the entrance and the bedroom, but also more subtly via trims and woven bands which emphasize the contours of the furniture and draperies and highlight the composition. of each room.

a luxury bedroom with red and white striped walls and blue and white bedding
“Fantasy with a slightly surreal quality” is how Anthony Barata describes its interiors. Here, a Victorian récamier brings a lively and lively presence to the foot of the bed. The chandelier, a Russian antique from the client’s mother, feels “princess”, not pompous, among the cherry stripes (wall tapestry linen, bennison) and ethereal blues. The Pineapple Finial Bed is Baratta’s own design.
Marc Roskams

This adds up to an interior that, like a breathtaking melody, is as memorable as it is uplifting. Says the designer, “I want you to walk through the door and say, ‘Whoa.’ ”


Veranda Magazine [Subscription : 1 year print subscription]

Veranda Magazine [Subscription : 1 year print subscription]

This feature originally appeared in the July/August 2021 issue of VERANDA. Interior design by Anthony Baratta; photography by Mark Roskams; written by Celia Barbour.


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